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Jessye 1, 2020
Watercolour on cotton
20,5 x 17 cm
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Owl café 2, 2020
Watercolour on cotton
31 x 24 cm
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Fishing, 2020
Watercolour on cotton
25 x 32 cm
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Amazonas 1, 2020
Watercolour on cotton
17 x 22 cm
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Pharmacy 2, 2020
Watercolour on cotton
22,5 x 17 cm
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Untitled, 2019
Ink on rice paper
94 x 125 cm
Collection particulière -
Untitled, 2019
Ink on rice paper
94 x 66 cm
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Storm 3, 2019
Colored ink on rice paper
94 x 125 cm
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Storm 4, 2019
Colored ink on rice paper
94 x 125 cm
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Storm 7, 2019
Colored ink on rice paper
94 x 126 cm
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Storm 8, 2019
Colored ink on rice paper
95 x 125 cm
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Storm 12, 2019
Colored ink on rice paper
66 x 95 cm
Collection particulière -
Storm 13, 2019
Colored ink on rice paper
66 x 95 cm
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Storm 18, 2019
Colored ink on rice paper
66 x 95 cm
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Lavandière, 2018
Casein paint on wood, fabric and rope
90 x 50 x 30 cm
Photographie : Michele Galassi -
The Master, 2018
Ink and colored pencil on cotton
150 x 200 cm
Photographie : Michele Galassi
Collection particulière -
Comédie, 2018
Ink and colored pencil on cotton
150 x 100 cm
Photographie : Michele Galassi -
Ensor, 2018
Ink and colored pencil on cotton
90 x 130 cm
Photographie : Michele Galassi -
The Veil, 2018
Ink and colored pencil on cotton
70 x 55 cm
Photographie : Michele Galassi -
La Diseuse, 2018
Ink and colored pencil on cotton
75 x 60 cm
Photographie : Michele Galassi -
Risveglio, 2018
Ink and colored pencil on cotton
60 x 75 cm
Photographie : Michele Galassi -
The Dream, 2018
Ink and colored pencil on cotton
140 x 170 cm
Photographie : Michele Galassi -
London, 2018
Ink and pastel on cotton
190 x 150 cm
Photographie : Michele Galassi -
Jump, 2017
Indian ink on rice paper
128 x 97 cm (framed)
Collection particulière -
Mirror, 2017
Indian ink on rice paper
125 x 95 cm
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Wig, 2016
Indian ink on rice paper
190 x 132 cm
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Robe, 2015
Indian ink on rice paper
137 x 108 cm
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Church, 2017
India ink on rice paper
125 x 190 cm
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Hold, 2016
Watercolour and oil pastel on paper
72,5 x 51 cm
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Examination, 2007
Oil on canvas
50 x 70 cm
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Lock, 2007
Oil on canvas
75 x 85 cm
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Institute for the Blind, 2012
Oil on canvas
150 x 200 cm
Introduction
From her first paintings (whose enamelled and waxy aspect they reserved for surfaces and complexions played with the ambiguity between the real and the artificial) to her most recent drawings with coloured ink, Katharina Ziemke builds a strange universe, cultivating doubts about the nature of the subjects and giving to see the mutability of the image. On this point, the series in India ink initiated in 2013 added a new disorder in vision: the variation and dilution of figures. Among them, the one dedicated to Hamlet (fifteen portraits of the actor Laurence Olivier in town costume) unfolds like a long sequence without action, whose only movement would be that of the alteration of the image and the infinity of the variations that these successive versions suppose.
At the same time, a meeting offered Katharina Ziemke the opportunity to give a new dimension to her research. The director Thomas Ostermeier invited her to collaborate on the creation of sets for Un ennemi du peuple by Isben (Schaubühne, Berlin, 2012), then The Seagull by Tchekov (Toneelgroep, Amsterdam, 2013) and Professor Bernhardi by Arthur Schnitzler (Schaubühne, Berlin / Les Gémeaux, Sceaux, 2017). For The Seagull, the artist imagined large drawings inspired by his inks on paper, which an operator made live during the show. Hiding from each scene, the image was here less a setting than a protagonist of the story: it imposed itself as action.
A new technique that appeared in Katharina Ziemke's work further synthesizes her interest in the spectacle of the active image. Initially applying solid pastel colours to the paper, the artist then covers the whole with a layer of black wax, which she finally digs in the manner of an engraver to let dark images dawn and as if worried by strange coloured spectra. Like a vision on another, the glimpse of a hallucinated world, hidden under the appearances of our daily life.
Thibault Bissirier, 2018
Katharina ZIEMKE was born in Kiel (Germany) in 1979. She now lives and works in Berlin, where she settled after her studies at the Ecole Supérieure des Beaux-Arts de Paris (Joël Kermarrec studio).
His works have been exhibited in Berlin (Schaubühne, Galerie Susanne Albrecht, Manzoni Schäper), Kiel (Kunstraum B), Copenhagen (Galerie Benoni and Galerie Christoffer Egelund), Luxembourg (Nosbaum & Reding), New York and Paris (Galerie Zürcher). In France, Katharina Ziemke has also participated in several group exhibitions in Lyon (Espace arts plastiques de Vénissieux), Bourges (La Box), Montbéliard (CRAC) Toulouse (Printemps de septembre), or Meymac (CAC), as well as at the Musée de l'Abbaye Sainte-Croix aux Sables d'Olonne, where she was the subject of an important solo exhibition in 2008. Her works are today present in the collections of the FNAC - Fonds National d'Art Contemporain.