1. Katharina ZIEMKE
    Téléscope (Vera Rubin), 2020
    Oil on canvas
    90 x 120 cm

    Collection particulière
  2. Katharina ZIEMKE
    Lab (Alma Levant Hayden), 2020
    Oil on canvas
    90 x 120 cm
  3. Katharina ZIEMKE
    Dr Wu #2, 2020
    Oil on canvas
    110 x 140 cm
  4. Katharina ZIEMKE
    Satellite (Ann McNair & Mary Jo Smith), 2020
    Oil on canvas
    120 x 160 cm
  5. Katharina ZIEMKE
    Professor Gaillard, 2020
    Oil on canvas
    40 x 50 cm
  6. Katharina ZIEMKE
    Satyendranath Bose, 2020
    Oil on canvas
    40 x 30 cm
  7. Katharina ZIEMKE
    Storm 8, 2020
    Oil on canvas
    150 x 200 cm
  8. Katharina ZIEMKE
    Storm, 2020
    Oil on canvas
    270 x 390 cm
  9. Katharina ZIEMKE
    Tempest 1, 2019
    Watercolour on cotton
    95 x 125 cm

    Collection particulière
  10. Katharina ZIEMKE
    Tempest 3, 2019
    Watercolour on cotton
    95 x 125 cm
  11. Katharina ZIEMKE
    Tempest 4, 2019
    Watercolour on cotton
    95 x 125 cm
  12. Katharina ZIEMKE
    Tempest 2, 2019
    Watercolour on cotton
    95 x 125 cm
  13. Katharina ZIEMKE
    Fishing, 2020
    Watercolour on cotton
    25 x 32 cm
  14. Katharina ZIEMKE
    Storm 17, 2019
    Colored ink on rice paper
    65 x 94 cm
  15. Katharina ZIEMKE
    Storm 3, 2019
    Colored ink on rice paper
    94 x 125 cm
  16. Katharina ZIEMKE
    Storm 4, 2019
    Colored ink on rice paper
    94 x 125 cm
  17. Katharina ZIEMKE
    Storm 7, 2019
    Colored ink on rice paper
    94 x 126 cm
  18. Katharina ZIEMKE
    Storm 8, 2019
    Colored ink on rice paper
    95 x 125 cm
  19. Katharina ZIEMKE
    Storm 13, 2019
    Colored ink on rice paper
    66 x 95 cm
  20. Katharina ZIEMKE
    Jessye 1, 2020
    Watercolour on cotton
    20,5 x 17 cm
  21. Katharina ZIEMKE
    Pharmacy 2, 2020
    Watercolour on cotton
    22,5 x 17 cm
  22. Katharina ZIEMKE
    Untitled, 2019
    Ink on rice paper
    94 x 66 cm
  23. Katharina ZIEMKE
    Comédie, 2018
    Ink and colored pencil on cotton
    150 x 100 cm

    Photographie : Michele Galassi
  24. Katharina ZIEMKE
    Ensor, 2018
    Ink and colored pencil on cotton
    90 x 130 cm

    Photographie : Michele Galassi
  25. Katharina ZIEMKE
    The Veil, 2018
    Ink and colored pencil on cotton
    70 x 55 cm

    Photographie : Michele Galassi
  26. Katharina ZIEMKE
    Risveglio, 2018
    Ink and colored pencil on cotton
    60 x 75 cm

    Photographie : Michele Galassi
  27. Katharina ZIEMKE
    The Dream, 2018
    Ink and colored pencil on cotton
    140 x 170 cm

    Photographie : Michele Galassi
  28. Katharina ZIEMKE
    La Diseuse, 2018
    Ink and colored pencil on cotton
    75 x 60 cm

    Photographie : Michele Galassi
  29. Katharina ZIEMKE
    London, 2018
    Ink and pastel on cotton
    190 x 150 cm

    Photographie : Michele Galassi
  30. Katharina ZIEMKE
    Mirror, 2017
    Indian ink on rice paper
    125 x 95 cm
  31. Katharina ZIEMKE
    The Dance, 2013
    Wax crayon and acrylic on paper
    101 x 73 cm
  32. Katharina ZIEMKE
    Hold, 2016
    Watercolour and oil pastel on paper
    72,5 x 51 cm
  33. Katharina ZIEMKE
    Institute for the Blind, 2012
    Oil on canvas
    150 x 200 cm
  34. Katharina ZIEMKE
    The red carriage, 2009
    Oil on canvas
    140 x 170 cm
  35. Katharina ZIEMKE
    Awoken, 2009
    Oil on canvas
    80 x 100 cm
  36. Katharina ZIEMKE
    Resignation, 2008
    Oil on canvas
    50 x 60 cm
  37. Katharina ZIEMKE
    Examination, 2007
    Oil on canvas
    50 x 70 cm
  38. Katharina ZIEMKE
    Lock, 2007
    Oil on canvas
    75 x 85 cm
  39. Katharina ZIEMKE
    1536, 2005
    Oil on canvas
    130 x 91 cm


Introduction

From her first paintings (whose enamelled and waxy aspect they reserved for surfaces and complexions played with the ambiguity between the real and the artificial) to her most recent drawings with coloured ink, Katharina Ziemke builds a strange universe, cultivating doubts about the nature of the subjects and giving to see the mutability of the image. On this point, the series in India ink initiated in 2013 added a new disorder in vision: the variation and dilution of figures. Among them, the one dedicated to Hamlet (fifteen portraits of the actor Laurence Olivier in town costume) unfolds like a long sequence without action, whose only movement would be that of the alteration of the image and the infinity of the variations that these successive versions suppose.

At the same time, a meeting offered Katharina Ziemke the opportunity to give a new dimension to her research. The director Thomas Ostermeier invited her to collaborate on the creation of sets for Un ennemi du peuple by Isben (Schaubühne, Berlin, 2012), then The Seagull by Tchekov (Toneelgroep, Amsterdam, 2013) and Professor Bernhardi by Arthur Schnitzler (Schaubühne, Berlin / Les Gémeaux, Sceaux, 2017). For The Seagull, the artist imagined large drawings inspired by his inks on paper, which an operator made live during the show. Hiding from each scene, the image was here less a setting than a protagonist of the story: it imposed itself as action.

A new technique that appeared in Katharina Ziemke's work further synthesizes her interest in the spectacle of the active image. Initially applying solid pastel colours to the paper, the artist then covers the whole with a layer of black wax, which she finally digs in the manner of an engraver to let dark images dawn and as if worried by strange coloured spectra. Like a vision on another, the glimpse of a hallucinated world, hidden under the appearances of our daily life.

Thibault Bissirier, 2018

Katharina ZIEMKE was born in Kiel (Germany) in 1979. She now lives and works in Berlin, where she settled after her studies at the Ecole Supérieure des Beaux-Arts de Paris (Joël Kermarrec studio).
His works have been exhibited in Berlin (Schaubühne, Galerie Susanne Albrecht, Manzoni Schäper), Kiel (Kunstraum B), Copenhagen (Galerie Benoni and Galerie Christoffer Egelund), Luxembourg (Nosbaum & Reding), New York and Paris (Galerie Zürcher). In France, Katharina Ziemke has also participated in several group exhibitions in Lyon (Espace arts plastiques de Vénissieux), Bourges (La Box), Montbéliard (CRAC) Toulouse (Printemps de septembre), or Meymac (CAC), as well as at the Musée de l'Abbaye Sainte-Croix aux Sables d'Olonne, where she was the subject of an important solo exhibition in 2008. Her works are today present in the collections of the FNAC - Fonds National d'Art Contemporain.

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