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Homme au bas et soutien gorge, 1974
Lopes dans la statuaire antique
Dessin et peinture sur papier calque
150 x 130 cm
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Homme à la panthère, 1974
Lopes dans la statuaire antique
Dessin et peinture sur toile
150 x 130 cm
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Sans titre, 2005
Acrylic on tracing paper
20 x 30 cm
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Sans titre, 2009
Acrylic on tracing paper
20 x 30 cm
Collection particulière -
Sans titre, 2005
Acrylic on tracing paper
20 x 30 cm
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Sans titre, 2008
Acrylic on tracing paper
20 x 30 cm
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Sans titre, 2011
Acrylic on tracing paper
20 x 30 cm
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Sans titre, 2017
Acrylique on tracing paper
60 x 80 cm
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Sans titre, 2017
Acrylique on tracing paper
60 x 80 cm
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Sans titre, 2017
Acrylique on tracing paper
20 x 30 cm
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Le Baiser
Engraved colored miror
Diam. 100 cm.
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Ombres colorées à Tanger, 2015
Tinted glass, steel, spotlight
100 x 300 x 34 cm
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Ombres colorées à Tanger, 2015
Tinted glass, steel, spotlight
100 x 200 x 26 cm
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Sans titre, 2018
Colored and painted glass, iron
35,5 x 35,5 x 9 cm
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Sans titre, 2018
Colored and painted glass, iron
35,5 x 35,5 x 9 cm
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Cercle jaune avec femme en rouge, 2018
Lambda print mounted on Dibond
150 x 100 cm
Edition of 8 ex -
Trapèze bleu avec femme en noir, 2016
Caisson lumineux et figurante
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Vertigo, 2007 / 2014
Installation lumineuse
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Suivez mon panache rose, 2012
Installation lumineuse réalisée dans le cadre de La Nuit Blanche 2012 (Ivry-sur-Seine)
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Des caissons lumineux pour gardiens de musée, 1989
Installation lumineuse
Introduction
Jacqueline Dauriac's work has been apparent for several years without any formalism emerging. Her installations in situ and in senso pay particular attention to light (natural or coloured) and to the links that unite us to the space of its experience. In doing so, the artist allows a certain "geometry of sympathy", capable of mobilizing both the spectator's body and his sensitivity, to emerge as a sensitive line through his entire work.
Although most of his work remains close to conceptual art, it is nonetheless a question of painting, whether it is her first works of the 1970's or Suivez mon panache rose (Nuit Blanche, 2012, Ivry-sur-Seine, curator: Laurent Le Bon) which composes a tribute to Nicolas Poussin and his ideal landscapes.
Jacqueline Dauriac has also been developing a more confidential graphic practice since the 1980's, mixing pure colour solids, scraping and text : drawings on tracing paper, whose silky matte, translucent aspect and fragility remind her of the softness of the skin.
Born in Tarbes, Jacqueline Dauriac lives and works in Paris and Ivry-sur-Seine. Her works have been exhibited in Rotterdam (Musée Witte de With), Hamburg, Cologne and Stuttgart (Kunstverein), Brussels (Palais des Beaux-Arts), Stockholm (Moderna Museet) and Paris, where the MAMVP devoted two solo exhibitions to her (1975 and 1984). She has also participated in several editions of Nuit Blanche (Paris) and Expériences Pommery (Reims). An exhibition has been dedicated to him in 2018 at the Fernand Léger Gallery (Ivry-sur-Seine).
