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Entrelacs, 2022
Huile sur toile
180 x 150 cm
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Bleu Sahara I, 2022
Huile sur papier toilé
19,9 x 15 cm
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Bleu Sahara II, 2022
Huile sur papier toilé
19 x 13,8 cm
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Bleu Sahara III, 2022
Huile sur papier toilé
18,8 x 14 cm
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Désir du désert, 2022
Huile sur toile
170 x 136 cm
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Détail, 2022
Huile sur papier toilé
30 x 20 cm
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Dialogue festif, 2022
huile sur papier toilé
66 x 46,2 cm
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Le grand paon, 2022
Huile sur papier toilé
56 x 47,6 cm
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Rosebud, 2022
Huile sur papier toilé
66 x 46,1 cm
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Rouge nuit I, 2022
Huile sur papier toilé
19 x 14 cm
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Rouge nuit II, 2022
Huile sur papier toilé
19 x 14 cm
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Rouge nuit III, 2022
Huile sur papier toilé
19 x 14 cm
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ZigZag Mango, 2022
Huile sur papier toilé
68 x 48,1 cm
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Noir de vigne I, 2022
Huile sur papier Arches
19 x 15,9 cm
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Noir de vigne II, 2022
Huile sur papier Arches
19 x 15,9 cm
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Nuit d'ivoire I, 2022
Huile sur papier Arches
19 x 16 cm
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Nuit d'ivoire III, 2022
Huile sur papier Arches
19 x 15,9 cm
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Nuit d'ivoire IV, 2022
Huile sur papier Arches
19 x 15,9 cm
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Nuit d'ivoire II, 2022
Huile sur papier Arches
19 x 15,9 cm
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Passiflore, 2022
Huile sur toile
120 x 86 cm
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Paysage, 2022
Huile sur toile
192 x 295 cm
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Krioua, 2020
Graphite on paper
24 x 18 cm
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Varinai, 2020
Graphite on paper
14,9 x 10,6 cm
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Poddema, 2020
Graphite on paper
14,9 x 10,5 cm
Collection particulière -
Syracusa, 2020
Graphite on paper
14,9 x 10,5 cm
Collection particulière -
Des millions d'yeux, 2020
Graphite on paper
40 x 32,1 cm
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Les villes et le regard, 2020
Graphite on paper
49 x 44 cm
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Une histoire de perspectives, 2019
Graphite on paper
34 x 36 cm
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L'Alambic de Vénus, 2019
Graphite on paper
33 x 26 cm
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La Treille, 2019
Graphite on paper
33 x 33 cm
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Sans titre, 2019
Oil on canvas
140 x 110 cm
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Sans titre, 2019
Oil on canvas
140 x 115 cm
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Para-sol, 2020
Graphite on paper
30 x 24 cm
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Pare-étincelles, 2020
Graphite on paper
30 x 24 cm
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L'Amour fou, 2018
Graphite on paper
30 x 30 cm
Collection particulière -
Déambulations nocturnes des formes abstraites, 2018
Graphite on paper
30 x 20 cm
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Sans titre, 2018
Graphite on paper
30 x 20 cm
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Les inconstants, 2017
Graphite on paper
30 x 21 cm
Collection particulière -
Chongqing harbor, 2017
Graphite on paper
30 x 20 cm
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La ruche, 2016
Graphite on paper
18 x 23 cm
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Bestioles, 2016
Graphite on paper
18 x 23 cm
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L'oiseau, 2016
Graphite on paper
18 x 23 cm
Introduction
The Irresistible Synthetic
Audrey Matt Aubert's artistic practice is essentially based on a reflection on architecture and the forms it produces. If her painting focuses more particularly on the exploration of the motifs that characterize certain large ensembles (following a treatment often close to abstraction), drawing allows her to introduce a more phantasmagorical dimension, influenced as much by surrealism as by the reading of theories on the generic city and the development of large modern metropolises.
For her recent drawings, the artist has drawn from the most ancient civilizations a corpus of archaic forms and theriomorphic habitats, to which she does not hesitate to add, by collage and contagion, the systematism and rigour of the most contemporary constructions. By submitting these architectures to the principles of a rhizomic and modular development, which she borrows from the animal and vegetable worlds, Audrey Matt-Aubert succeeds in substituting the alveolus to the standardized elements of construction, to reveal the unexpected kinship which links the shape of a honeycomb to our contemporary housing. Elsewhere, an exotic composition, populated with indistinct palmaceae, comes to interfere in the interstices of a precarious structure, which is as much a monument as an attraction. Through this manipulations, Audrey Matt Aubert manages to reconcile the regimes of the metaphorical and the literal , at the expense of a striking hybridization and a simultaneous movement from the artificial to the organic and from the living to the synthetic.
Strange architectural chimeras then rise up, and deposited under the limpid clarity of a distant desert or plunged into the dull darkness of an opaque night, impose on us like the scenery and protagonists of an universal history : the phantasm of the city without history, an irresistible synthesis of all the other ones and destined for eternity to limitless growth and constraint.
Thibault Bissirier, 2017.
Audrey Matt Aubert was born in 1990 (FR). She lives in Les Lilas and works at the Ateliers du Houloc in Aubervilliers.
Graduated from Ensba Paris - Atelier Dominique Gauthier (2015).