-
Paysage 173, 2019
Oil on canvas
130 x 97 cm
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Paysage 167, 2019
Oil on canvas
116 x 89 cm
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Sans titre, 2020
Oil on canvas
46 x 38 cm
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Paysage 164, 2019
Oil on canvas
162 x 130 cm
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Sans titre (agave), 2019
Oil on canvas
100 x 81 cm
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Paysage 128, 2014
Huile sur toile
123 x 123 cm
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Paysage 151, 2017
Oil on canvas
132 x 105 cm (framed)
-
Paysage 149, 2017
Oil on canvas
116 x 96 cm (framed)
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SMDF 2, 2019
Oil on canvas
46 x 38 cm
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Sans titre, 2020
Oil on canvas
46 x 38 cm
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SMDF 1, 2019
Oil on canvas
46 x 38 cm
-
SMDF 3, 2019
Oil on canvas
46 x 38 cm
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Sans titre (mur rouge), 2019
Oil on canvas
65 x 54 cm
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Paysage 158, 2018
oil on canvas
162 x 260 cm (Diptyque)
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Paysage 152, 2018
Oil on Canvas
130 x 160 cm (diptyque)
Collection particulière -
Paysage 145, 2017
Oil on canvas
172 x 141 each cm (framed)
Collection Claudine et Jean-Marc Salomon -
Paysage 134, 2016
Oil on canvas
167 x 127 cm
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Paysage 124, 2013
Oil on canvas
129 x 129 cm
Collection particulière -
Paysage 97, 2011
oil on canvas
123 x 123 cm
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Paysage 91, 2010
oil on canvas
123 x 123 cm
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Habiter #01, 2019
Oil painting on paper
51 x 41 cm
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Habiter #03, 2019
Oil painting on paper
51 x 41 cm
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Habiter #06, 2019
Oil painting on paper
51 x 41 cm
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Habiter #21, 2019
Oil painting on paper
51 x 41 cm
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Habiter #22, 2019
Oil painting on paper
51 x 41 cm
Introduction
The geometric patterns evoke a distant memory with light and dark tones. Melancholic language, modern architecture that recalls Le Corbusier, the landscape nevertheless seems to be distorted. Zigzagging trunks, shifted perspective, these places seem heavy with meaning and memories. They evoke a three-dimensional pictorial and mental space. The artist's canvases are somewhat reminiscent of Cézanne, with this south of France, its stretched touches of materials, its drips. We find a paradoxical mixture between urban landscape and vegetation, between light, warmth and rigidity. Jérémy paints like an writer. He uses the figurative, but only to deconstruct reality, to offer a vision, an epiphany. And to reveal the form and not the substance: it is the form that tells the story.
"For a little over ten years now, I have been pursuing a series of paintings entitled Landscape(s), which is the most identified part of my work. This series develops into a collection of paintings that are often similar in format and resemble fragments where architecture in its relationship with landscape or vegetation plays the leading role. Still, behind the initial appearance, which is sometimes anecdotal, what interests me is more impalpable and relates to something that could be named "feeling of presence" and which investing our gaze. What is looking, what is catching an image within the space of a gaze, what passes through the gaze or puts it into perspective? »
"Jérémy Liron: perception of an inevitable void", by Marie Zimberlin in Virtute, May 2019 (extract)
Jérémy Liron was born in 1980 in Marseille.
He lives and works in Lyon.
His works are present in many private and public collections, including the Paul Dini Museum, the Hôtel des Arts de Toulon, the Colas Foundation, the Salomon Foundation, the Société Générale collection, the collections of the cities of Lyon and Vénissieux, as well as several artothèques in France.
Jérémy Liron is also the author of numerous literary and poetic works, both on his own practice as a painter and on the work of other artists. His work has also been the subject of numerous publications, including the most recent, Récits, pensées, dérives & chutes, which has just been published by L'atelier contemporain (text by Armand Dupuy, preface by Marc Desgrandchamps, interviews, 2020).
