-
Paysage 262, 2024
Huile sur toile
150 x 100 cm
-
Paysage 263, 2024
Huile sur toile
150 x 100 cm
-
Paysage 265, 2024
Huile sur toile
162 x 130 cm x 2
-
Paysage 251, 2024
Huile sur toile
162 x 130 cm
-
Paysage 253, 2023
Huile sur toile
146 x 114 cm
-
Paysage 254, 2023
Huile sur toile
160 x 120 cm
-
Sans titre (Palme), 2020
Oil on canvas
92 x 73 cm
-
Agave, 2023
Oil on canvas
33 x 24 cm
-
Sans titre (Gouache), 2024
Gouache on paper
21 x 29,7 cm
-
Sans titre (Agaves), 2023
Oil on canvas
41 x 33 cm
-
Sans titre, 2024
Oil on canvas
50 x 40 cm
-
Sans titre, 2024
Oil on canvas
27 x 22 cm
-
Sans titre (Corse), 2024
Oil on canvas
33 x 24 cm
-
Paysage 261, 2023-2024
Oil on canvas
162 x 130 cm x 2
-
Sans titre, 2023
Huile sur toile
35 x 27 cm
-
Paysage 255, 2023
Huile sur toile
146 x 114 cm
Collection privée -
Villa Noailles (jardin), 2022
Gouache on paper
17,3 x 12,3 cm
-
Mur (Roses), 2022
Gouache on paper
19,7 x 13,8 cm
-
Esquisse, 2021
Gouache on paper
15,6 x 11,3 cm
Collection particulière -
Terrasse, 2020
Acrylic on paper
14,5 x 24,5 cm
-
C21215, 2015
CARO
Oil on paper
32 x 25 cm
-
C31016, 2016
CARO
Oil on paper
32 x 25 cm
-
Paysage 231, 2022
Huile sur toile
195 x 130 cm
Collection privée -
Paysage 242, 2023
Huile sur toile
195 x 130 cm
-
Paysage 235, 2022
Huile sur toile
195 x 130 cm
Collection privée -
Sans titre (agaves, fond ocre), 2023
Huile sur toile
61 x 50 cm
-
Paysage 237, 2022
Huile sur toile
116 x 89 cm
Collection privée -
Sans titre (figuier mur bleu), 2023
Huile sur toile
50 x 40 cm
-
Sans titre (côte bande bleue), 2022
Huile sur toile
55 x 46 cm
COLLECTION PRIVÉE -
Paysage 208, 2023
Huile sur toile
162 x 130 (X2)
-
Paysage 246, 2023
Huile sur toile
92 x 73 cm
-
Pins, 2023
Huile sur toile
92 x 138 cm
-
Sans titre (Virage), 2023
Huile sur toile
61 x 46 cm
COLLECTION PRIVÉE -
Sans titre (agave), 2023
Huile sur toile
33 x 24 cm
-
Sans titre (côte), 2022
Huile sur toile
65 x 54 cm
-
Sans titre (Digue Erbalunga), 2022
Huile sur toile
46 x 38 cm
Collection privée -
Sans titre (Agave et chaise), 2023
Huile sur toile
24 x 19 cm
-
Sans titre (Cité Radieuse), 2023
Huile sur toile
24 x 19 cm
-
Paysage 224, 2022
Oil on canvas
146 x 114 cm
-
Paysage 218, 2021
Oil on canvas
146 x 114 cm
-
Paysage 203, 2021
Oil on canvas
162 x 130 cm
-
Paysage 202, 2021
Oil on canvas
162 x 130 cm
-
Paysage 204, 2021
Oil on canvas
162 x 130 cm
-
Paysage 196, 2020
Oil on canvas
162 x 130 cm / each part
Collection publique / Musée Paul Dini -
Paysage 195, 2020
Oil on canvas
162 x 130 cm / each part
Collection particulière -
Paysage 192, 2020
Oil on canvas
162 x 130 cm
-
Paysage 189, 2020
Oil on canvas
162 x 130 cm
Collection particulière -
Paysage 187, 2020
Oil on canvas
162 x 130 cm
Collection particulière -
Paysage 180, 2020
Oil on canvas
172 x 280 cm (diptych)
-
Paysage 164, 2019
Oil on canvas
162 x 130 cm
-
Paysage 158, 2018
Oil on canvas
162 x 260 cm (Diptyque)
Collection du FRAC Auverge -
Paysage 152, 2018
Oil on Canvas
130 x 160 cm (diptyque)
Collection particulière -
Paysage 145, 2017
Oil on canvas
172 x 141 each cm (framed)
Collection Claudine et Jean-Marc Salomon -
Paysage 128, 2014
Huile sur toile
123 x 123 cm
-
Paysage 124, 2013
Oil on canvas
129 x 129 cm
Collection particulière
Introduction
The geometric patterns evoke a distant memory with light and dark tones. Melancholic language, modern architecture that recalls Le Corbusier, the landscape nevertheless seems to be distorted. Zigzagging trunks, shifted perspective, these places seem heavy with meaning and memories. They evoke a three-dimensional pictorial and mental space. The artist's canvases are somewhat reminiscent of Cézanne, with this south of France, its stretched touches of materials, its drips. We find a paradoxical mixture between urban landscape and vegetation, between light, warmth and rigidity. Jérémy paints like an writer. He uses the figurative, but only to deconstruct reality, to offer a vision, an epiphany. And to reveal the form and not the substance: it is the form that tells the story.
"For a little over ten years now, I have been pursuing a series of paintings entitled Landscape(s), which is the most identified part of my work. This series develops into a collection of paintings that are often similar in format and resemble fragments where architecture in its relationship with landscape or vegetation plays the leading role. Still, behind the initial appearance, which is sometimes anecdotal, what interests me is more impalpable and relates to something that could be named "feeling of presence" and which investing our gaze. What is looking, what is catching an image within the space of a gaze, what passes through the gaze or puts it into perspective? »
"Jérémy Liron: perception of an inevitable void", by Marie Zimberlin in Virtute, May 2019 (extract)
Jérémy Liron was born in 1980 in Marseille.
He lives and works in Lyon.
His works are present in many private and public collections, including the Paul Dini Museum, the Hôtel des Arts de Toulon, the Colas Foundation, the Salomon Foundation, the Société Générale collection, the collections of the cities of Lyon and Vénissieux, as well as several artothèques in France.
Jérémy Liron is also the author of numerous literary and poetic works, both on his own practice as a painter and on the work of other artists. His work has also been the subject of numerous publications, including the most recent, Récits, pensées, dérives & chutes, which has just been published by L'atelier contemporain (text by Armand Dupuy, preface by Marc Desgrandchamps, interviews, 2020).
