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Untitled 14, 2023
Huile et acrylique sur toile
225 x 210 x 6.5 cm
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Untitled 6, 2022
Huile et acrylique sur bois
78 x 168 cm
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Untitled 13, 2022
Techniques mixtes
43 x 30 x 5 cm
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Untitled 10, 2022
Techniques mixtes
30,5 x 62 x 17 cm
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Untitled 7 (Two pig heads and a sitting man), 2022
Acrylique sur toile
225 x 210 x 5cm
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Untitled 5, 2022
Huile et acrylique sur bois
33 x 71 cm
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Untitled 4, 2023
Techniques mixtes
95 x 186 x 10 cm
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anus solaire 3, 2023
Techniques mixtes
121 x 71 x 8.5 cm
Collection Marin -
anus solaire 1, 2022
Huile et acrylique sur bois
71 x 52.5 x 4.5 cm
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anus solaire 2, 2022
Huile et acrylique sur bois
71 x 52.5 x 4.5 cm
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Untitled 9, 2023
Huile et acrylique sur bois
49 x 76.5 x 5.5 cm
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Untitled 10, 2022
Techniques mixtes
30.5 x 62 x 17 cm
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Untitled 1, 2022
Huile et acrylique sur toile
30 x 30 cm
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Untitled 2, 2022
Huile et acrylique sur bois
30 x 30 x 4.5 cm
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Untitled 3, 2023
Techniques mixtes
30 x 30 x 19 cm
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Untitled 8, 2022
Techniques mixtes
30 x 30 x 16 cm
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Burn The Witch, 2019
Oil on canvas, insulation foam
250 x 420 cm
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God sold me another life and he made me a prophet, 2019
Oil on canva, polystyrene
230 x 334 cm
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Xenia, 2019
Oil on canvas
50 x 50 cm
Collection particulière -
Malwares, 2019
Oil on canva
24 x 41 cm
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RedDeadRedemption, 2018
Oil on canvas, polystyrene
275 x 230 cm
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KingdomHearts2850Xmph, 2018
Oil on canvas
230 x 285 cm
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Oil, 2018
Oil on canvas
50 x 50 cm
Collection particulière -
2ndlife2, 2018
Oil on Canvas
60 x 60 cm
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RealSister, 2018
Oil on canvas
50 x 50 cm
Collection particulière -
NoName1, 2018
Oil on paper
50 x 50 cm
Collection particulière -
Maps To The Stars, 2017
Oil on canvas
285 x 390 cm (diptyque)
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Kylo Ren, 2017
Oil on canvas
235 x 410 cm (diptyque)
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Odd death, 2014 - 2016
Oil on canvas
249 x 451 cm / 98.03 x 177.56 in
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LexiDEC13, 2015
Oil on canvas
78,74 x 61,81 in
collection particulière -
Self portrait, 2015
Oil on canvas
188 x 200 cm
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Mastermind / Off-limits, 2015
Oil on canvas
178 x 327 cm / 70.08 x 128.74 in
Introduction
Pierre Aghaikian's paintings are initiatory and spiritual journeys in which he seeks to dehumanise the figure of the "hero", and destroy its human appearances to turn it into a non-classified, foreign form. Man emancipates himself from his condition and looks for a way out. His intention is to paint 21st century man through the prism of his flaws, but also of his innovations. The narrative is reduced to the point where, against a backdrop of great black and purple monochrome, a linear, limpid, raw Goyaian scenario is maintained, in which, in an epic of intimacy, Man learns in a radical way to reconnect with his emotions.
The earlier series suggested a form of Western decadence. Now, it's no longer a matter of pulling out the roots of evil, but of tracing its genealogy.The earlier series suggested a form of Western decadence. Now, it's no longer a matter of pulling out the roots of evil, but of tracing its genealogy. It's a desire to combine powerful images verging on the sublime with an accurate, analytical and intelligent view of our times, drawing us into personal destinies as well as those of humanity and the cosmos, which often have a tragic outcome.
Pierre AGHAÏKIAN (May 2023)
