-
La Foule, 1999 / 2001
Suites / Diptyka
Ilfochrome contrecollé sur aluminium sous diasec
120 x 250 cm
-
Chronique, 1993
Excédents
Tirage argentique sur aluminium
65 x 86 cm
-
La vie est belle, 1993
Excédents
Tirage argentique sur aluminium
65 x 86 cm
-
Manhattan, 1993
Excédents
Tirage argentique sur aluminium
65 x 86 cm
-
DSL 02 , 2010
DSL
Tirage lambda contrecollé sur aluminium, sous Diasec
19.68 x 35.43 in
-
DSL 11, 2011
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex -
DSL 14, 2010
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex
film source : Broken Flowers, Jim Jarmusch -
DSL 17, 2011
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex
film source : Charade, Stanley Donen -
DSL 18, 2011
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex
film source : Frenzy, Alfred Hitchcock -
DSL 22, 2012
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex -
DSL 24, 2015
DSL
Diasec-bonded Lambda prints
27,55 x 49,60 in
Edition of 3 ex -
DSL 25, 2015
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex -
DSL 27, 2015
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex -
DSL 28, 2015
DSL
Diasec-bonded Lambda prints
19,68 x 35,43 in
Edition of 5 ex -
Champs - Élysées, 2009
Seuils
Ilfochrome sur aluminium
75 x 150 cm
-
Hiver, 2009
Seuils
Ilfochrome sur aluminium
31,49 x 47,24 in.
-
Rixe, 2005 - 2007
Parties communes
Ilfochrome sur aluminium
120 x 160 cm
-
Duel, 2005 - 2007
Parties communes
Ilfochrome on aluminium
39,37 x 52,36 in.
Edition of 1 ex -
Doubliner 1, 2004
Doubliners
Ilfochrome sous diasec
40 x 45 cm
-
Doubliner 2, 2004
Doubliners
Ilfochrome sous diasec
40 x 45 cm
-
Doubliner 3, 2004
Doubliners
Ilfochrome sous diasec
40 x 45 cm
-
Doubliner 4, 2004
Doubliners
Ilfochrome sous diasec
40 x 45 cm
-
Doubliner 6, 2004
Doubliners
Ilfochrome sous diasec
40 x 45 cm
-
Le billet, 1999 - 2001
Suites
Ilfochrome sous diasec
103 x 125 cm
-
Téléphone, 1999 - 2001
Suites
Ilfochrome sous diasec
90 x 100 cm
-
Convulsion, 1996 - 1998
Moires
R - 3 sur aluminium
71 x 100 cm
Introduction
Although the subject matter of Eric Rondepierre’s work echoes the great changes we have seen in how films are produced, distributed and viewed, it is neither an homage to cinema or an attempt to restore or create a sense of nostalgia for its “aura”. As an artist, he simply drew on this historic situation to travel the fringes of a world whose fragments are now within our reach.
Thus, at the turning point between the 80s and 90s, Eric Rondepierre started working on what he called a “re-shooting”, selecting random images from fictional feature films. For each new series, precise rules were established as he conducted his research. He started working at home using a VCR (Excedents, Annonces), continued with videotapes on an editing table in film libraries and private archives (Annonces, Précis de décomposition, Suites...) and more recently moved to computerized digital material (DSL).
Éric Rondepierre was born in 1950.
He lives and works in Paris.
His works are presents in several public and private collections in France and abroad :
MoMA, Museum of Modern Art, New York, USA.
Cinémathèque Française, Paris, France.
MEP, Maison Européenne de la Photographie, Paris, France.
Fonds National d'Art Contemporain, Paris, France.
FRAC Lorraine, France.
Rencontres Internationales de la Photographie, Arles.
Houston Fine Arts Museum, U.S.A.
Fonds National d'Art Contemporain, Paris, France.
Los Angeles County Museum of Art, U.S.A.
Ville de Bienne, Suisse.
Société Française de Photographie, France.
Caisse des Dépôts et Consignation, France.
Communauté Française de Belgique.
Fonds Départemental d’Art Contemporain de Seine-Saint-Denis, France.
Centre George Pompidou, Paris, France.
Fonds National d'Art Contemporain, Paris, France.
Bibliothèque Nationale de France, Paris, France.
Collectiion Société Générale, La Défense, France.
