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Echos au chaos, 2014
Acier peint et grès émaillé
900 x 750 x 250 cm
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Plan des plantes en pli, 2014
Acier inoxydable et aluminium thermolaqué
700 x 300 x 230 cm
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Hortillonnages en pli, 2013
Acier peint
850 x 380 x 175 cm
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Sans-titre, 2011
Acier ciré, élastomère
750 x 420 x 170 cm
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Cartographie assise, 2011
articulations de siège automobile, acier, tissus, caoutchouc
450 x 330 x 130 cm
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Un verso d'une page, 2011
Acier peint, médium, pvc souple
950 x 420 x 230 cm
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Scissure signal, 2010
Acier peint, élastomère
700 x 400 x 170 cm
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Cormor, 2010
Chaînes des corps morts de l'île
800 x 1000 x 900 cm
Introduction
Pierre-Alexandre Rémy’s work explores the relationship between artistic intervention and the space in which it takes place. His recent work is based on the cartographic representation of the specific territory where his sculptures are to be presented. Collecting, classifying and redistributing and integrating the data which define its identity, his sculptures question space, form and body.
His steel or solution-dyed polymer “ribbons” seem to defy the laws of gravity; as their vibrantly colored arabesques unfurl, a new cartographic representation comes to light. The specificities of topography yield a drawing; a way of appropriating space through writing. Pierre-Alexandre Rémy’s work generates hypertext for the territory, sketching a portrait made of complex folds that blends scientific and telluric approaches.
