1. Michel Alexis
    Epigram 103, 2011
    oil, mixed media on wood
    73 x 60 cm
  2. Michel Alexis
    Epigram 29, 2011
    oil, mixed media on wood
    73 x 60 cm
  3. Michel Alexis
    Epigram 44, 2011
    oil, mixed media on canvas
    114 x 146 cm
  4. Michel Alexis
    Epigram 43, 2011
    oil, mixed media on canvas
    117 x 143 cm
  5. Michel Alexis
    Epigram 35, 2002
    oil on canvas
    76 x 61 cm

    collection privée
  6. Michel Alexis
    Subtracted word 4, 2003
    oil on canvas
    188 x 188 cm

    collection privée
  7. Michel Alexis
    Epigram 12, 2003
    oil, mixed media on wood
    61 x 61 cm
  8. Michel Alexis
    Epigram 9, 2011
    oil, mixed media on wood
    73 x 60 cm
  9. Michel Alexis
    Front 2, 1995
    oil and mixed media on canvas
    132 x 137 cm
  10. Michel Alexis
    Stein's diary 4
    oil on canvas
    188 x 188 cm
  11. Michel Alexis
    Stein's diary 3
    on canvas
    174 x 138 cm
  12. Michel Alexis
    Synesthesia 4, 2009
    oil, mixed media on canvas
    173 x 122 cm


Introduction

Michel Alexis was born in Paris, graduated with a degree in Economics, and then moved to a secluded hamlet in the Alps where he lived for eight years. During this time he was also traveling extensively around the world.

It was while he was converting a barn into a studio that he started modeling slabs of plaster which he inscribed with imaginary signs. He drew his inspiration for this work from both indecipherable glyphs of early civilizations whose ruins he had visited and works of disabled outsider artists which he had seen at the Musee de l'Art Brut in Lausanne. For Alexis the glyphs and the creations of outsider artists had a similar effect, conveying a compelling beauty but also a mysterious quality that defied interpretation.

He subsequently moved to the United States to join his family and embarked on a new phase of his career, replicating on large canvases the kind of art he was doing with slabs of plaster, using heavy acrylic paste. In 1991 he moved to New York where he attracted favorable critical notice for a series of shows beginning with one based on a text by Gertrude Stein (New York Times, Aug.1995), followed by "Alphabets" (Artnews, 2002), "Subtracted Word" (Art in America, 2004), and "Epigrams" (2006) at the Stephen Haller Gallery in New York.

His recent solo shows also include "Stolen Diaries" (2006) (Galerie Isabelle Gounod, Paris), "Syllabary" (2008) ( Ruth Bachofner Gallery, Santa Monica), and "Brooklyn Epigrams" (2009) (Heriard-Cimino Gallery, New-Orleans).

Alexis' work is exhibited in numerous museums as well as in public and private collections worldwide.

E. Caro